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Bill Dixon Quotes
«If I had money, I would like to get an old building, have music performances, do lithographs, have shows of paintings, and do those things that I'm interested in doing.»
«I have been using delay and reverberation since the middle 1960s. I use them to make what is almost inaudible to the ear, audible. I do not use them to play loudly but to make the higher harmonics heard.»
«I did not make my first recording until I was 37... I did not even start to study music until I was 20... I entered music at a time when New York was this cauldron of incredible artistic and cultural activity.»
«In the middle 1940s... I heard everyone live. Painting, the theater; everything was happening. It was an exciting time when New York was the place to be.»
«Originally I was asked to do something with the very talented percussionist Susie Ibarra, but I had to decline since I am not involved in the women's movement in music.»
«I am not interested in petty gossip; I am not interested in who sells the most records and the politicizing of economics that makes that possible. I am not interested in a body politic of the largely uninformed who attempt to politically designate certain people as deserving of wider recognition.»
«Most of my recorded material has been in small group configurations. I have not released large orchestral works as recordings because it hasn't been within the realm of possibility.»
«Whatever I do, I attempt to do it fully. I try, and don't always succeed, to be thorough. There are musicians who do not know their worth, and if they knew it at one time, it has eluded them. I know my worth. You try not to dwell in the past.»
«If you think about it, $100,000 in terms of a recording is not a lot of money. For musicians who are cranking out a lot of this uninteresting commercial music, it is not unusual for that amount of money to be allocated for the lunch commemorating the signing of one of their recording contracts.»
«In certain areas of this music, especially since the 1960s - and that is no coincidence - certain people have been singled out for attention and the others have been totally ignored to the extent that the interested music public has been made to believe that they no longer exist.»