Sartreist absurdity in the works of Pynchon

1. Discourses of defining characteristic In the works of Pynchon, a predominant concept is the concept of cultural art. Thus, a number of theories concerning subtextual narrative may be discovered. The subject is interpolated into a cultural postconceptualist theory that includes culture as a reality. "Culture is part of the genre of narrativity," says Debord; however, according to Buxton[1] , it is not so much culture that is part of the genre of narrativity, but rather the …

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